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An honest Hindu pandit (priest) is framed for embezzlement and rape, and not only dismissed from employment, but also arrested and imprisoned, leaving behind his family in destitution.
On his return from prison, he is unable to locate his family, and plans to avenge his humiliation.
Examples include Pyaasa (1957) and Kaagaz Ke Phool (1959) directed by Guru Dutt and written by Abrar Alvi, Awaara (1951) and Shree 420 (1955) directed by Raj Kapoor and written by Khwaja Ahmad Abbas, and Aan (1952) directed by Mehboob Khan and starring Dilip Kumar.
These films expressed social themes mainly dealing with working-class life in India, particularly urban life in the former two examples; Awaara presented the city as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life.
The next year, he made another colour film, a version of Mother India.
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In 1996, he introduced veteran actor Raaj Kumar's son Puru Raajkumar in Bal Brahmachari which was also unsuccessful. He also produced the movie Dalaal with Mithun Chakraborthy, in the mid-90s, which was a box-office moneymaker.
Mehra received a lifetime achievement award from the India Motion Picture Directors Association (IMPDA) in 2006.